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Jayden Beville is a travel & lifestyle filmmaker based in Melbourne, Australia. His work is inspired by both the beauty of rugged landscapes and the eclectic feel of urban city skylines. Jayden likes to experiment with different cinematic styles and uses a mix of run & gun and pre-production to execute his ideas. Jayden currently owns and operates his own video production agency (BeVisuals) working closely with a variety of clients around the globe ranging from corporate to lifestyle/travel.
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The Pursuit of Inspiration
By Jayden Beville+-
- The Pursuit of Inspiration
By Jayden Beville+ -
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Watch Video
Jayden’s film follows his pursuit of inspiration, escaping the every-day city life and exploring vast and dynamic landscapes to fuel his creative ideas. His story centres around living in the moment and generating ideas that are inspired by his surroundings. -
Behind the Scenes
Watch behind the scenes of Jayden’s "The Pursuit of Inspiration" film. -
About Jayden Beville
Jayden Beville is a travel & lifestyle filmmaker based in Melbourne, Australia. His work is inspired by both the beauty of rugged landscapes and the eclectic feel of urban city skylines. Jayden likes to experiment with different cinematic styles and uses a mix of run & gun and pre-production to execute his ideas. Jayden currently owns and operates his own video production agency (BeVisuals) working closely with a variety of clients around the globe ranging from corporate to lifestyle/travel. -
Creative LUTs
Find out what LUTs Jayden uses in The Pursuit of Inspiration and download for free.
Find out more
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Key Features
Cinematic Expression – Enhanced by the latest imaging system
The all new back-illuminated APS-C size (20.1 MP)*2 Exmor R CMOS sensor delivers stunning 4K*1 footage oversampled from a 6K Super 35mm area. Full Pixel readout without pixel binning ensures the best image quality.
*1 QFHD: 3840 x 2160 *2 Approximate effective megapixels when shooting movies. 26.0 MP for stills.
Capture every detail with tools for all skill levels
The FX30 features Sony’s latest Log Shooting Modes: Cine EI, Cine EI Quick & Flexible ISO modes which can take advantage of Dual Base ISO of 800 & 2500 capturing a wide latitude.
14+ stops*3 expanded ISO range of 100-32,000 is also available in non log shooting modes like S.Cinetone.
Up to 4K 120fps*4 is available with Autofocus including Real Time Tracking, Touch AF, Eye AF for humans, animals and birds.
Focus Map, Breathing Compensation & AF Assist have also been included on FX30 to enhance the shooting experience.
*3 S-Log3 movies, Sony tests, *4 100/120fps with approx. 1.6x crop
Efficient workflow to speed up the process
Similar to the FX3 with firmware v2.0, the main menu UI allows touch screen access to the most commonly used video features. Optical In Body Image Stabilisation (IBIS) & Active SteadyShot provides stable handheld footage. The optional top handle with 2x XLR audio inputs can provide extra stability and professional audio inputs in an all-in-one solution.
Extended shooting times
FX30 makes great use of Sony’s NP-FZ100 battery with up to 175mins *5 record time. The internal fan also allows for extended shooting without overheating.
*5 Continuous shooting of movie
LUTs library
What is a LUT?
A LUT (Look-Up-Table) is simply a table of fixed numerical values that can be applied to video to alter its look. It can change an image’s contrast, colour or both. 1D LUTs are the simplest, each input value mapping to a single output value, while 3D LUTs are more sophisticated and can apply to a co-ordinate set of colours.
Benefits of LUTs
A LUT or Look-Up Table makes it easy to apply a wide variety of different looks to your video content. It’s often used when shooting RAW or log content, which may initially look quite flat but contains large amounts of information for post-production creativity.Â
Technical LUTs
This family of LUTs provide basic colour space conversion from S-LOG3 into Rec.709. These LUTs can be used on set to monitor the footage accurately, helping to ensure the lighting and exposure is correct. As the LUT is used only for monitoring, your footage can be recorded in S-LOG3, retaining the full range of information for the final grade.
The package contains both a "standard" conversion and a "low contrast" conversion to help cater for the needs of your production. There are further variants of both the "standard" and "low contrast" conversions, which drop the exposure from 1, 2 or 3 stops, helping to provide further flexibility for challenging lighting conditions.
Creative LUTs
This family of LUTs not only provide a conversion from S-LOG3 into Rec.709, but also apply a creative "look" to your footage. Whether it is to help evoke a rich rainforest vibe, a warm summer day or neon-lit city, these LUTs will help transform your footage to meet your creative intent.
Depending on your production's needs, these LUTs can be used to monitor on set or even as a primary look for finishing. When used for monitoring, it is recommended to compare your footage with the standard Rec.709 technical LUT. This will help ensure your footage is still balanced and exposed correctly.
The Creative LUTs also contain variants which drop the exposure down 1 stop.
Blue Steel
Warm Day
Rainforest
Creator of LUTs
The Pardy Suite
Daniel Pardy is a freelance film colourist from Sydney, Australia. With over a decade of experience in the film industry, he has had the opportunity to work on a wide range of projects, from high end commercials through to the Oscar winning Mad Max: Fury Road, directed by George Miller.
FX30
